Steven Soderbergh’s new chiller takes place in one of the most troubled of all movie locations: an outwardly normal family ...
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
Steven Soderbergh’s Presence is being marketed as a horror movie, but there’s one thing audiences should know before they ...
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty ...
The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...
They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view ...
We see the action unfold only from the point of view of the mysterious titular entity – a neat idea, but where are the chills ...
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Presence” — 2 stars In Steven Soderbergh’s gimmicky, unscary ghost story “Presence,” we the audience become the supernatural ...
Presence is a more delicate and nuanced haunted house movie that takes a more elevated route to horror as opposed to more ...
A stressful haunted house flick with a unique framing device and a horrifying denouement, Presence isn’t so much a film about a ghost, but instead, a film shot entirely from the perspective of one. I ...
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