A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the ...

The Russian conductor convinces everyone with a magnificent interpretation of Strauss' score, leading an outstanding cast in ...

Ahead of a performance Kabalevsky’s Second Cello Concerto with the Singapore Symphony Orchestra, the British cellist talks about one of his longstanding cello heroes, Daniil Shafran, who premiered the ...

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

Amy Lane's scattered borrowings from Tim Burton to Stanley Kubrick fail to cohere in the Canadian Opera Company's new Faust.

This revival of Kratzer’s production forces the audience to confront where personal responsibility starts and stops for ...

What took so long, you may wonder, to get three female choreographers on a triple bill at New York City Ballet. This one ...

Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera's Bernstein double bill in the ...

After an absence of more than two decades, Esa-Pekka Salonen returns to The Cleveland Orchestra, conducting his own Cello ...

The eclectic London venue’s new artistic director discusses her plans for the future, finding new audiences and rooting music ...

The Hallé, conducted by Tianyi Lu, give a magnificent account of Dvořák's Cello Concerto with Alban Gerhardt and Brahms' ...

For some time now, the classical music industry has been grappling with the question of how to modernise itself. That is, to ...