The prolific filmmaker turns a supernatural thriller into an experiment in first-person perspective and a dysfunctional family drama that'd make Eugene O'Neill cringe

Although it premiered at Sundance almost a year ago, Steven Soderbergh’s Presence is finally making its way to theaters, and audiences may well find

What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.